Monday, November 23, 2009

The Saints Are Coming...But Maybe They Should Go Back

A recent development in the film industry is the power that DVD sales have. For instance, if a film had a lackluster theater box office, but has a strong DVD presence, you can bet on a sequel to be in the works.

One example of this, what is now considered a cult classic, is "The Boondock Saints," directed by Troy Duffy. Despite having an extremely limited release (it was only shown on five screens), it developed a tremendous following on DVD, due, in part, to an exclusive deal with Blockbuster Video, and would wind up making $50 million on the format. Considering Duffy's belligerent behavior during the making of the film (documented in the great film "Overnight, a must-see), it's surprising that the film would, eventually, be felt as a success. However, it did seem that Duffy's career in Hollywood was dead, due to the notoriety that "Overnight" gave him.

It seems like Duffy isn't done tellin' the story of the Saints just yet. But perhaps, that's not as great as it sounds.

"Boondock Saints II: All Saints Day" is the follow-up to Duffy's debut, and features numerous actors from the first film, including Sean Patrick Flanery, Norman Reedus, and Billy Connolly. It features the boys coming back from Ireland to settle the score with a crime lord who has ties with the Saints' past.

Their return to cinema, however, is marked by a constantly silly, and awkward eight-grade sense of humor, featured in an amateurish and insipid script.

What made the first one work was that although it had a tongue-in-cheek tone, the actors played their roles with sincerity, they believed every word they're saying, especially Flannery, and Reedus. None of that is featured in this film. The Saints constantly crack dick jokes, and try to emulate action hero stars.

And, the new additions to the cast do very little to help, most of all Julie Benz, who plays Eunice Bloom, an FBI agent sent to investigate the Saints reappearance. Basically, the character is a proxy for Willem Dafoe's Paul Smecker in the first installment, but Bloom isn't nearly as interesting or entertaining to watch. She is given a southern accent, which is hardly authentic, and sounds more like a broad caricature, something you'd see in a cartoon. In one scene, where she's explaining her analysis of a shoot-out, she imagines herself in the shoot-out, wearing a cowgirl outfit, and constantly whipping her gun. The scene is so awkwardly done, you are completely taken out of the moment, and wondering what the hell was Duffy thinking.

SPOILER - Smecker does, however, re-appear in the end, despite reports stating the contrary. His appearance gives the film a much-needed boost of fun, and we are given a taste of what could've been if Dafoe had been more of a featured player.

Besides Dafoe, there is some noteworthy acting work. Mainly, Peter Fonda's performance as The Roman, a mysterious, former colleague of Ill Duce. It was the one of the only times in the film where I truly was encapsulated by an actor's performance. Judd Nelson's role is brief, but entertaining as well.

If you're a fan of the first, it's definitely worth a watch. But don't bet on the Saints capturing lighting in a bottle again.

AJP.

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