Kevin Smith is Changing and Why I'm Okay with It.

The relationship with an artist and a fan can be a strangely tumultuous one, at times. As fans, it's amazing how we react to our heroes' careers. It can range from utter disgust to sheer delight. It's an amusing relationship when you look at it from a distance, but when you're involved, it's very serious stuff.

Filmmakers are no exception.

We expect our filmmakers to entertain us with original content, yet when they make an audacious effort to broaden their horizons, we turn their backs on them. This hidden philosophy is evident in not only film geeks, but critics as well. Look at Martin Scorsese. Although he has directed wonderful films not related to crime, like The Aviator, but the films he is most known doing are his crime epics. When David Fincher showed his ability to stretch in "The Curious Case of Benjamin Button", fans of his darker work were outraged.

When it comes to Kevin Smith, I don't think anyone imagined him taking any 180 degree turns with his career. From the looks of it, it sounds like he didn't either. However, after "Zack and Miri Make a Porno" was released, he signed on to direct a script entitled "A Couple of Dicks", the first film he directed yet did not write. He stated that he is no longer interested in telling stories of the angry, young man, as Smith is 39, happily married, and has a successful career.

Smith is planning on working on a hockey period film entitled "Hit Somebody", based on the song of the same name by Warren Zevon and Mitch Albom. Unlike the rest of his films, it's mainly a drama, dealing with a hockey player who loves the game but is only used as someone hits the other player.

Also on Smith's plate is a political horror film named "Red State", with a villain being heavily inspired by Westboro Bapist Church minister Fred Phelps.

Clearly, Kevin Smith is taking a very different direction with his career. Am I mad? Not a single bit.

Josh Tyler at cinemablend.com criticized Smith's new direction, lamenting that his new films will not be the personal films he is known for, and referred to "Dicks" as a standard buddy-cop film.

Although it will be tough for "Dicks" to be a personal film, due to the movie being written by someone else, the title alone shows to me that this is not a typical buddy-cop film. "Somebody" sounds like one of the more personal pieces of work he has done in a while.

According to Smith, "Somebody" is a story about someone who has the dream, but not the talent. And this is what he related to most about the song, and instigated his desire to make the movie. If that doesn't sound personal, I'm not sure what it is. It may be not based on his experiences working in a conveince store, or his insecurity with his girlfriend, but it still counts as a personal film. He has a personal drive to tell this story.

I always loved Kevin Smith's work. I enjoyed his characters, dialogue, and observations about society and pop culture. But this new direction only excites me.

Even though I loved "ZAMMAP", it's clearly a film that Smith can do in his sleep. It's what he's known for. Now he's challenging himself and not resting on his laurels. He's taking risks with his work. And if these films work, which is very likely, who knows what other genres he will tackle next?

I am excited not only for the filmmaker in Smith, but for the man himself.

AJP.

Thoughts on "(500) Days of Summer" and "Jennifer's Body"

I know I said I was going to do a series of blogs relating to the works of Kevin Smith next, but I think I'll work on those later, because I want to re-watch the films, and I haven't done that yet.

I will, however, talk about my feelings on two pictures that I've recently seen: Marc Webb's "(500) Days of Summer" and Karyn Kusama's "Jennifer's Body." The former I saw yesterday, and the latter I saw a few weeks ago on Kelly's birthday, but I have forgotten to write about it.

As most film goers, when it comes to a certain subject matter, I would begin to expect what's to come, and not feel really invested in the story as a result. This is what can be referred to as autopilot storytelling.

"Summer" definitely does NOT follow into that stigma. In fact, not only does it play with conventions, it spins them around silly. It's amazing that a film so laugh out loud funny, can be so damn tender real. That takes real talent; Not blowing up major buildings, or putting a billion fucks in your movie. It's balancing that right tone so you could enjoy a film with multiple levels, ideas.

Some have already placed the "romantic comedy" term unto "Summer", and while, sure, it's an easy and inevitable stereotype, and it brings the funny in spades, it does not bring to justice how inventive, and ingenious the film is. It does not show you how heartbreakingly painful this film can and should be for you. If you ever even remotely LIKED someone, you will relate to this film. If you don't, then I guess you suffer from many emotional problems or were against the film initially.

Now "Jennifer's Body" is a different story. While fun, exciting, scary, and witty, it's hardly a surprise-fest. Not to say it's unoriginal, but clearly screenwriter Diablo Cody knows there's certain beats in a horror film, which if weren't available, would make it a lesser experience. But she does bring her charm, and sharply realized characters, which makes it much more interesting.

She created an excellent antagonist who is terrifying yet a developed character at the same time. And Kusama picked the perfect person to portray that character, Megan Fox. She has gotten mainly negative comments about her acting skills, but I thought she was tremendously good, and capable of headlining a film.

It's easy to kick this film down like the majority of critics, but I really enjoyed this film. It's a horror/comedy in the traditon of An American Werewolf in London, Evil Dead II, or Fright Night. I'll happily excuse myself from the critics, and park myself in the J-Bod fan club.

AJP.